Tinseltown Talks By Nick Thomas
For many, the title “King of Rock and Roll” is reserved for one man: Elvis Presley. Had he lived, Elvis would have celebrated his 80th birthday on January 8.
In addition to his music, Elvis lives on through a phenomenal number of appearances in scripted motion pictures – 31 in all – beginning with “Love Me Tender” in 1956 and ending 13 years later with “Change of Habit.”
Although his films were often dismissed due to weak and predictable scripts, critics generally regarded Elvis as a surprisingly good actor. But what did his costars think?
In 1966, 10-year-old Donna Butterworth appeared in “Paradise, Hawaiian Style,” the second Elvis film set in Hawaii.
“My mom and dad took me to see ‘Blue Hawaii’ when I was just a little girl and I fell in love with him right then and there,” said Donna. “I couldn’t get enough Elvis.”
Donna recalls filming her first scene on the cliffs of Makapuu, on Oahu, running into Elvis’s arms.
“I had only met him a few minutes before that,” she recalled. “So when the director called ‘action,’ I ran up and got in his arms, and his face was about 4 inches from my face. After all the anticipation of meeting Elvis Presley and working with him, I just froze. I couldn’t believe I was so close to this beautiful man! All the crew cracked up because they knew I was so enamored. In fact, Elvis laughed the hardest – he just loved to laugh.”
Unlike Donna, 7-year-old Susan Olsen wasn’t an Elvis fan when she briefly appeared in the talent contest audition scene in Elvis’s second last film, “The Trouble with Girls” (1969).
“I couldn’t understand all the hype over him and I didn’t even think he was good-looking!” said Susan, who went on to play youngest daughter Cindy on the popular ‘60s TV show, “The Brady Bunch.”
That changed after their first brief encounter.
“I remember that a bunch of the kids’ mothers suddenly started screaming,” said Susan. “Elvis had come out of his dressing room and they crowded around him for autographs. So I thought ‘What the heck! I’ll get one too.’ So I went up to him – and I’m not making this up – when he looked at me I thought, ‘Oh, I get it! I see why they like him so much.’ He had this special aura about him. I was just dumbstruck, I couldn’t say anything. He signed the photo, handed it to me, and said ‘Here ya go darling.’”
Elvis’s leading lady in “The Trouble with Girls” came away with more than just an autograph. Marlyn Mason snagged an on-screen kiss.
“It was a comedy kiss,” said Marlyn, indicating that the only fireworks were the real ones in the movie scene.
She took an unusual approach to get the required reaction from Elvis. Just after the fireworks scene, Elvis comes up behind her and starts rubbing her shoulders.
“I just turned around, off camera, and started undoing Elvis’s belt and trousers!” Marlyn recalled. “Well, I didn’t get very far because it wasn’t a long scene. Elvis got this funny look on his face which you can see in the film. He was great fun to work with, because I could throw anything at him and he’d just throw it right back.”
She also recalls a private moment when Elvis shared thoughts about his acting.
“The saddest thing Elvis said to me was ‘I’d like to make one good film because I know people in this town laugh at me.’ I’ll never forget that,” she said. “But he was always down to earth and comfortable with himself. Some of that dialogue was so corny, but he managed to bring a realness to it. And I think that’s just how he was in real life. He was a natural comedian, and his timing was just impeccable. I just found him to be a very genuine person.”
With each passing decade since his death in 1977 at age 42, the Elvis legend and legacy continue to grow. When viewed in the context of the often zany ‘60s TV and film period, it is gratifying that there exists such an extensive film library of the most celebrated entertainer in history.
Nick Thomas teaches at Auburn University at Montgomery, Ala., and has written features, columns, and interviews for over 500 magazines and newspapers. Photos provided by Donna Butterworth and Marlyn Mason.